646.484.0689       danykosto@hotmail.com
 

Portfolio

Works

Performance, single-channel video, HD, 11:00, 2010

Large scale video projection 1 min. loop, video monitor 10 min. loop, photography, 2010

Unorthodox Image is a site-specific project that brings back an area of repressed memory of Warsaw's architecture. It was commissioned for a solo exhibition in Warsaw and consists of two videos and an inkjet print. 

Mixed media installation, dimension variable, 2009

Flip-House* is conceived in response to the current economic crisis in the US, changing living conditions globally and the state of emergency resulting from those processes. It utilizes survival strategies borrowing from communities in continuous crisis and takes the form of a house. One strategy is a form of social mimicry by which one temporarily adopts the texture of a specific place to pass for the other. Flip-House will move to different locations and will be altered each time. This process will be documented with photography and video.

Inkjet print on canvas, mattress, tread, wooden blocks, 205 x 142 x 25 cm, 2009

Photography: Angel Kocev Design: Asen Iliev

A combination of large-scale photographic print and found object, this installation focuses on the idea of cross-cultural pollution. Borrowing elements from both traditional Bulgarian and popular global cultures, the image depicts a domestic scene gone sour: a woman (the artist herself) and her children are simultaneously eclipsed by the detritus of western overabundance and crushed by the weight of their own culture’s traditions.

Text and mosaic in collaboration with Mike De Seve, 2009

Talavera Graffiti is a site-specific project, outcome of a week long visit in Puebla, Mexico. It is documented and presented in Puebla Transbaroca, an alternative guide book curated by Katia Anguelova and Alessandra Poggianti, 2009.

C-Print, 200 x 105 cm, 2008

Photography: Angel Kocev Design: Asen Iliev

 

Video documentary, 28 min., 2006

Body Without Organs documentary video follows the "discovery" of the Bulgarian Bar through the eyes of a recent immigrant in New York City who has lost her sense of reality. Seeking traces of her old identity, she returns time and again to a Bulgarian Bar in Chinatown, ironically called the Bulgarian Cultural Center.

Video performance in collaboration with Olivia Robinson, 2006-2007

Negotiations is a project that explores cross-cultural communication and interpretation. Over a period of two years Daniela Kostova and Olivia Robinson developed an interactive system that utilizes blue screen video techniques as a tool for manipulating human bodies moving through unknown environments. The system has been performed in three distinct public environments: Sardinia, Italy, New York City, USA and Sofia, Bulgaria. The first public performance of Negotiations took place in Sardinia, where a prototype of the system was deployed. Through the extended performances in New York and Sofia we further developed the system and used it to reveal more layers within the construct of the mythological “other” by examining graffiti culture. This new edition of the Negotiations is called I Am Whatever You Want Me To Be.

You can see Made In on YouTube

Single channel video, 7 min., 2004-2005

In this video I took a portable blue screen to a public square in Sofia, Bulgaria and keyed (a process of “hole cutting”, or subtracting part of the picture) an image of it by using the seamless effect of the blue screen. The image represented my background is later transformed to a dress and became a subject of intense debate with my Bulgarian friend. Shot in Bulgaria but edited in US, Made In video explores communication between distant places and different realities. It presents two points of view of the same subject and reveals the distortions of meaning resulting from the differing contexts of the viewers. It also draws a picture of a world with a limited choice of politics. A choice between a nationalistic ideology growing in a small post-communist country, and an Imperialistic one emerging from the world’s largest economy.

Single-channel video, 09:47, 2000  

 

Collaborations

Performance, single-channel video, HD, 11:00, 2010

Mixed media installation, dimension variable, 2009

Flip-House* is conceived in response to the current economic crisis in the US, changing living conditions globally and the state of emergency resulting from those processes. It utilizes survival strategies borrowing from communities in continuous crisis and takes the form of a house. One strategy is a form of social mimicry by which one temporarily adopts the texture of a specific place to pass for the other. Flip-House will move to different locations and will be altered each time. This process will be documented with photography and video.

Text and mosaic in collaboration with Mike De Seve, 2009

Talavera Graffiti is a site-specific project, outcome of a week long visit in Puebla, Mexico. It is documented and presented in Puebla Transbaroca, an alternative guide book curated by Katia Anguelova and Alessandra Poggianti, 2009.

Video performance in collaboration with Olivia Robinson, 2006-2007

Negotiations is a project that explores cross-cultural communication and interpretation. Over a period of two years Daniela Kostova and Olivia Robinson developed an interactive system that utilizes blue screen video techniques as a tool for manipulating human bodies moving through unknown environments. The system has been performed in three distinct public environments: Sardinia, Italy, New York City, USA and Sofia, Bulgaria. The first public performance of Negotiations took place in Sardinia, where a prototype of the system was deployed. Through the extended performances in New York and Sofia we further developed the system and used it to reveal more layers within the construct of the mythological “other” by examining graffiti culture. This new edition of the Negotiations is called I Am Whatever You Want Me To Be.